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	<title>Writing Holidays &#187; Travel writing</title>
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		<title>Writing travel articles</title>
		<link>http://www.writingsafaris.com/writing-travel-articles/</link>
		<comments>http://www.writingsafaris.com/writing-travel-articles/#comments</comments>
		<pubDate>Thu, 03 Dec 2009 21:01:17 +0000</pubDate>
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				<category><![CDATA[Travel writing]]></category>
		<category><![CDATA[writing holiday]]></category>

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		<description><![CDATA[A good travel article is shaped like a good short story, with a clear beginning, middle and end.
(Don George, The Lonely Planet Guide to Travel Writing)

not necessarily in chronological order
may be structured around a theme or a narrative
thematic pieces are less chronological

The beginning (1st half of 1/3)

The doorway to the story
Sets the story’s scene
Where we [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>A good travel article is shaped like a good short story, with a clear beginning, middle and end.<br />
(Don George, The Lonely Planet Guide to Travel Writing)</p></blockquote>
<ul>
<li>not necessarily in chronological order</li>
<li>may be structured around a theme or a narrative</li>
<li>thematic pieces are less chronological</li>
</ul>
<h3>The beginning (1st half of 1/3)</h3>
<ul>
<li>The doorway to the story</li>
<li>Sets the story’s scene</li>
<li>Where we are</li>
<li>Why we’re there</li>
<li>The quest / challenge ahead of us</li>
<li>The theme of the piece</li>
<li>The ‘characters’ who will accompany us or we will encounter</li>
<li>Must ‘hook’ reader</li>
<li>Set ‘active questions’ – tempts reader to want to know more</li>
<li>May jump straight into the action – <em>medias res</em> (in the middle of things)</li>
<li>The writer sometimes only finds the beginning at the end!</li>
</ul>
<h3>The middle (2/3 of story)</h3>
<ul>
<li>The long and winding road</li>
<li>Destination is brought alive for the reader</li>
<li>The writer’s experience is a filter / conduit for the reader to vicariously experience the place – use all the senses!</li>
<li>If thematic structure used: ascending series of examples reaching overriding point</li>
<li>If narrative: chronological series of anecdotal incidents that embody the angle you have chosen (eg the delights of Cantonese cooking)</li>
<li>Choose incidents that bring the point / angle to life.</li>
<li>Keeping with the short story analogy, the middle should rise in tension to a dramatic / thematic climax.</li>
</ul>
<h3>The end</h3>
<ul>
<li>Bring the focus of the story to a satisfying conclusion</li>
<li>The aftermath of the climax</li>
<li>A reflection on the inner experience; lessons learnt etc</li>
<li>A summing up of whether or not goals / expectations have been achieved or met.</li>
<li>Tie the story back to its beginning</li>
<li>Deliver your reader back to the world.</li>
</ul>
<p>You can read more <a href="http://www.thecraftywriter.com/2007/11/02/non-fiction-travel-writing/" target="_blank">travel writing tips</a>, including potential markets at <a href="http://www.thecraftywriter.com" target="_blank">The Crafty Writer</a>.</p>
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		<title>Make money from your holiday</title>
		<link>http://www.writingsafaris.com/make-money-from-your-holiday/</link>
		<comments>http://www.writingsafaris.com/make-money-from-your-holiday/#comments</comments>
		<pubDate>Thu, 03 Dec 2009 21:01:04 +0000</pubDate>
		<dc:creator>Admin</dc:creator>
				<category><![CDATA[Travel writing]]></category>
		<category><![CDATA[writing holiday]]></category>

		<guid isPermaLink="false">http://www.writingsafaris.com/?p=17</guid>
		<description><![CDATA[The problem with holidays is that they cost money. One way of minimising the shock to the pocket is to write and sell a travel article when you come home. Before you head off on your writing break, do a bit of research into the area to see if there is any potential for a [...]]]></description>
			<content:encoded><![CDATA[<p>The problem with holidays is that they cost money. One way of minimising the shock to the pocket is to write and sell a travel article when you come home. Before you head off on your writing break, do a bit of research into the area to see if there is any potential for a travel article.</p>
<p>Essentially there are two kinds of travel articles: travel guides and travelogues.</p>
<h3>Travel guides</h3>
<p>Travel guides tend to be external, focusing on what to see, where to go and how to get there. They are or may be:</p>
<ul>
<li>quick wrap-ups of ‘must sees’</li>
<li>Numbered lists: eg &#8220;The 5 best sunshine destinations&#8221;</li>
<li>Often focused on the general traveller – lowest common denominator</li>
<li>An overview of a place rather than detailed description</li>
<li>Make extensive use of text boxes and sidebars for info</li>
<li>Use tourist info brochures/websites/guidebooks as source material – be careful not to plagiarise!</li>
<li>Usually uses 2nd Person <a href="http://creative-writing-course.thecraftywriter.com/writing-from-a-point-of-view-pov" target="_blank">point of view (POV)</a> rather than 1st (but occasionally can). 3rd Person is too distancing.</li>
</ul>
<p><strong>Short journeys</strong><br />
If you use a narrative structure (telling the story of the journey), focus on short periods of time: weekend getaways or city breaks are good subjects for general articles.</p>
<p><strong>Longer journeys</strong><br />
If you try to cover a longer journey in the travel guide style then it becomes: ‘and then we saw … and then we went … and then we did … then we went to bed … and then … and then… and then we came home.</p>
<p><strong>Solution?</strong> Narrow your focus. One highlight, surprise find, unusual encounter.</p>
<h3>Travelogues and travel features</h3>
<p>Travelogues are literary accounts of a journey written as a memoir – these may be written up as books, essays, blogs or articles. When ‘packaged’ for a magazine, the travelogue becomes a travel feature. They are or may be:</p>
<p>Internal rather than external, focusing more on the writer’s experience of the destination. The best travel writing incorporates both.</p>
<ul>
<li>A narrative journey: The article is structured as a journey of discovery.</li>
<li>The writer becomes a travelling companion (see Bryson) rather than just a guide.</li>
<li>The writer uses his / her own experience as a lens on a destination</li>
<li>Always written in 1st person.</li>
<li>Very narrowly focused either on subject or theme</li>
<li>May be presented as a quest: eg the quest to find the perfect curry; the quest to find a legendary guitar maker</li>
<li>An inner journey: the writer contemplates a spiritual, emotional or metaphysical change that has taken place as a result of the journey or encounter.</li>
<li>Plays with timelines</li>
<li>More ‘literary’ in tone and style than a mere travel guide</li>
<li>Utilises the senses</li>
<li>‘Fictional’ writing techniques (eg <a href="http://creative-writing-course.thecraftywriter.com/writing-dialogue" target="_blank">dialogue</a>, shifts in timeline, <a href="http://creative-writing-course.thecraftywriter.com/writing-characters" target="_blank">characterisation</a>, mood setting)</li>
</ul>
<p>For more on how to structure a travel article see <a href="/writing-travel-articles">writing travel articles</a>.</p>
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